The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification

The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification

The objective of this article is to present an analysis of the relational dance project The poetics of pleasantness, considering that this creative process and the product constitute an artifact of feminine resignification and a personal transformative rite, given that this scenic proposal elaborate...

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Autores principales: Solís Pérez, Marlene, Juárez Flores, Patricio
Formato: Online
Lenguaje:spa
Publicado: Universidad Autónoma de Baja California 2023
Acceso en línea:https://culturales.uabc.mx/index.php/Culturales/article/view/1117
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spelling oai:culturales.uabc.mx:article-11172023-09-02T00:29:54Z The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification La poética del agrado: un proyecto de danza relacional y artefacto de resignificación femenina Solís Pérez, Marlene Juárez Flores, Patricio Feminidad danza contemporánea procesos creativos Feminity contemporary dance creative process The objective of this article is to present an analysis of the relational dance project The poetics of pleasantness, considering that this creative process and the product constitute an artifact of feminine resignification and a personal transformative rite, given that this scenic proposal elaborates with criticism on pleasantness as a mandate of hegemonic femininity. We propose that this initiative is inserted in the recent feminist approaches about care, the need for personal deconstruction and the formation of an affective community among women. Based on a qualitative methodology, the video art of the work as the interviews with the participants in the project are analyzed. The conclusions suggest that the symbolic efficacy of the scenic proposal resides in its congruence with feminist stakes and in the representation of a feminine ethos built collectively during the creation process. El objetivo de este artículo es presentar un análisis del proyecto de danza relacional La poética del agrado, considerando que este proceso creativo y la obra artística constituyen un artefacto de resignificación femenina y un rito de transformación propia, dado que esta propuesta escénica elabora críticamente sobre el agrado como un mandato de la feminidad hegemónica. Proponemos que esta iniciativa se inserta en los planteamientos feministas recientes acerca del cuidado, la necesidad de la deconstrucción personal y la conformación de una comunidad afectiva entre mujeres. A partir de una metodología cualitativa analizamos el videoarte de la obra, así como las entrevistas a las participantes del proyecto. En las conclusiones planteamos que la eficacia simbólica de la propuesta escénica reside en su congruencia con apuestas feministas y en la representación de un ethos femenino construido colectivamente durante el proceso de creación. Universidad Autónoma de Baja California 2023-08-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html text/xml https://culturales.uabc.mx/index.php/Culturales/article/view/1117 10.22234/recu.20231101.e738 Culturales; Vol. 11 (2023): Continuous Publication; 1-31 Culturales; Vol. 11 (2023): Publicación Continua; 1-31 2448-539X 1870-1191 spa https://culturales.uabc.mx/index.php/Culturales/article/view/1117/757 https://culturales.uabc.mx/index.php/Culturales/article/view/1117/766 https://culturales.uabc.mx/index.php/Culturales/article/view/1117/777 Derechos de autor 2023 Marlene Solís Pérez, Patricio Juárez https://creativecommons.org/licenses/by/4.0
institution Culturales
collection OJS
language spa
format Online
author Solís Pérez, Marlene
Juárez Flores, Patricio
spellingShingle Solís Pérez, Marlene
Juárez Flores, Patricio
The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification
author_facet Solís Pérez, Marlene
Juárez Flores, Patricio
author_sort Solís Pérez, Marlene
title The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification
title_short The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification
title_full The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification
title_fullStr The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification
title_full_unstemmed The Poetics of Pleasantness: A Relational Dance Project and Artifact of Feminine Resignification
title_sort poetics of pleasantness: a relational dance project and artifact of feminine resignification
description The objective of this article is to present an analysis of the relational dance project The poetics of pleasantness, considering that this creative process and the product constitute an artifact of feminine resignification and a personal transformative rite, given that this scenic proposal elaborates with criticism on pleasantness as a mandate of hegemonic femininity. We propose that this initiative is inserted in the recent feminist approaches about care, the need for personal deconstruction and the formation of an affective community among women. Based on a qualitative methodology, the video art of the work as the interviews with the participants in the project are analyzed. The conclusions suggest that the symbolic efficacy of the scenic proposal resides in its congruence with feminist stakes and in the representation of a feminine ethos built collectively during the creation process.
publisher Universidad Autónoma de Baja California
publishDate 2023
url https://culturales.uabc.mx/index.php/Culturales/article/view/1117
_version_ 1792095139492003840

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