Living the border: Social and cultural practices from the sidelines

Migrants, while in a position of subordination and vulnerability in the host society, can be defined as subjects of analysis of cultural studies. It is from this theoretical framework, which will investigate the social and cultural practices of Brazilian migrants settled in the northeast of the prov...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Winikor Wagner, Mariana
Formato: Online
Lenguaje:spa
eng
Publicado: Universidad Autónoma de Baja California 2016
Acceso en línea:https://ref.uabc.mx/ojs/index.php/ref/article/view/548
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:ojs.localhost:article-548
record_format ojs
spelling oai:ojs.localhost:article-5482019-11-04T18:01:36Z Living the border: Social and cultural practices from the sidelines Vivir la frontera. Prácticas sociales y culturales desde los márgenes Winikor Wagner, Mariana border practices migrants popular culture hegemony. Social Sciences Demography Town Sociology Culture Social behavior Anthropology Culture and cultural processes Economic organization Political organization frontera prácticas inmigrantes cultura popular hegemonía Ciencias sociales Demografía Población Sociología Cultura Comportamiento social Antropología Procesos de cultura y culturales Organización económica Organización política Migrants, while in a position of subordination and vulnerability in the host society, can be defined as subjects of analysis of cultural studies. It is from this theoretical framework, which will investigate the social and cultural practices of Brazilian migrants settled in the northeast of the province of Misiones, Argentina. We focus our attention on analyzing whether these practices are truly ways to resist the dominant culture or simply constitute forms of reproduction and naturalization of them. Through four concrete practices (portuñol, el brique, the buying and selling of improvements and spontaneous occupation of private land) will reach the conclusion that the same evidence loans, grants, amalgams, conflicts, subordination and yet interstices creativity with the dominant culture. It shows the relational character that owns the popular culture with the dominant culture and its position of subordination and domination. Los migrantes, en tanto ocupan una posición de subalternidad y vulnerabilidad en la sociedad de destino, pueden ser definidos como sujetos de análisis de los estudios culturales.  Es desde este marco teórico, que indagaremos las prácticas sociales y culturales de los migrantes brasileños asentados en el nordeste de la provincia de Misiones, Argentina. Enfocaremos nuestra atención en analizar si estas prácticas son verdaderamente formas de resistir a la cultura dominante o simplemente constituyen formas de reproducción y naturalización de las mismas. A través de cuatro prácticas concretas (el portuñol, el brique, la compra-venta de mejoras y la ocupación espontánea de tierras privadas) llegaremos a la conclusión de que las mismas evidencian préstamos, concesiones, amalgamas, conflictos, subordinación y a la vez intersticios de creatividad con la cultura dominante. Demuestra el carácter relacional que posee la cultura popular para con la cultura hegemónica y su posición de subalternidad y de dominación. Universidad Autónoma de Baja California 2016-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml application/epub+zip application/pdf text/xml application/epub+zip text/html text/html https://ref.uabc.mx/ojs/index.php/ref/article/view/548 10.21670/ref.2016.34.a06 Estudios Fronterizos Revista; Vol. 17 No. 34 (2016); 100-116 Estudios Fronterizos; Vol. 17 Núm. 34 (2016); 100-116 2395-9134 0187-6961 spa eng https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1018 https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1019 https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1020 https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1035 https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1044 https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1054 https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1420 https://ref.uabc.mx/ojs/index.php/ref/article/view/548/1421 El Soberbio, border northeast of the Province of Misiones town, Argentina, which borders the Federative Republic of Brazil; XX and XXI century El Soberbio, localidad fronteriza al nordeste de la Provincia de Misiones, Argentina, que limita con la República Federativa del Brasil ; Siglo XX y XXI Derechos de autor 2016 Estudios Fronterizos
institution Estudios Fronterizos
collection OJS
language spa
eng
format Online
author Winikor Wagner, Mariana
spellingShingle Winikor Wagner, Mariana
Living the border: Social and cultural practices from the sidelines
author_facet Winikor Wagner, Mariana
author_sort Winikor Wagner, Mariana
title Living the border: Social and cultural practices from the sidelines
title_short Living the border: Social and cultural practices from the sidelines
title_full Living the border: Social and cultural practices from the sidelines
title_fullStr Living the border: Social and cultural practices from the sidelines
title_full_unstemmed Living the border: Social and cultural practices from the sidelines
title_sort living the border: social and cultural practices from the sidelines
description Migrants, while in a position of subordination and vulnerability in the host society, can be defined as subjects of analysis of cultural studies. It is from this theoretical framework, which will investigate the social and cultural practices of Brazilian migrants settled in the northeast of the province of Misiones, Argentina. We focus our attention on analyzing whether these practices are truly ways to resist the dominant culture or simply constitute forms of reproduction and naturalization of them. Through four concrete practices (portuñol, el brique, the buying and selling of improvements and spontaneous occupation of private land) will reach the conclusion that the same evidence loans, grants, amalgams, conflicts, subordination and yet interstices creativity with the dominant culture. It shows the relational character that owns the popular culture with the dominant culture and its position of subordination and domination.
publisher Universidad Autónoma de Baja California
publishDate 2016
url https://ref.uabc.mx/ojs/index.php/ref/article/view/548
_version_ 1715723781711855616