Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration

Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration

The proposal of the article is to analyze the modes of representation of emigration deployed by Cincuentaicinco hermanos (Jesús Díaz, 1978) and The Illusion (Susana Barriga, 2008), placing both films in their context of cinematographic and socio-political production in Cuba. Hence, we consider the i...

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Autor principal: Castro Avelleyra, Anabella
Formato: Online
Lenguaje:spa
Publicado: Universidad Autónoma de Baja California 2018
Acceso en línea:http://culturales.uabc.mx/index.php/Culturales/article/view/551
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spelling oai:ojs2.localhost:article-5512019-02-05T20:14:38Z Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration Dos viajes, cincuentaicinco hermanos y una ilusión. Modos de abordaje cinematográfico de la emigración cubana Castro Avelleyra, Anabella The proposal of the article is to analyze the modes of representation of emigration deployed by Cincuentaicinco hermanos (Jesús Díaz, 1978) and The Illusion (Susana Barriga, 2008), placing both films in their context of cinematographic and socio-political production in Cuba. Hence, we consider the inscription of the filmmakers in the narration as a present absence and as an absent presence and we analyze whether the narrative voice has institutional character, thinking about the type of communicative pact that is established in each case. We evaluate the mechanisms from which it is alluded, with regard to movement, fluency or interruption. Finally, we outline some hypotheses about the figure of the father in these films. La propuesta del artículo es analizar los modos de representación de la emigración desplegados por Cincuentaicinco hermanos (Jesús Díaz, 1978) y The Illusion (Susana Barriga, 2008), situando ambos films en su contexto de producción cinematográfica y socio-política en Cuba. Para ello, se considera la inscripción de los realizadores en la narración en tanto una ausencia presente y una presencia ausente y se analiza si la voz narradora tiene carácter institucional, pensando en el tipo de pacto comunicativo que se establece en cada caso. Se evalúan los mecanismos a partir de los cuales se alude, en lo que respecta al movimiento, a la fluidez o a la interrupción. Por último, se esbozan algunas hipótesis en torno a la figura del padre en estos films. Universidad Autónoma de Baja California 2018-08-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html application/xml http://culturales.uabc.mx/index.php/Culturales/article/view/551 10.22234/recu.20180601.e353 Culturales; Vol. 6 (2018): Rolling Pass; 1-34 Culturales; Vol. 6 (2018): Publicación Continua; 1-34 2448-539X 1870-1191 spa http://culturales.uabc.mx/index.php/Culturales/article/view/551/430 http://culturales.uabc.mx/index.php/Culturales/article/view/551/434 http://culturales.uabc.mx/index.php/Culturales/article/view/551/522 Derechos de autor 2018 Anabella Castro Avelleyra
institution Culturales
collection OJS
language spa
format Online
author Castro Avelleyra, Anabella
spellingShingle Castro Avelleyra, Anabella
Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration
author_facet Castro Avelleyra, Anabella
author_sort Castro Avelleyra, Anabella
title Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration
title_short Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration
title_full Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration
title_fullStr Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration
title_full_unstemmed Two trips, fifty-five siblings and an illusion. Modes of cinematographic approach to the Cuban emigration
title_sort two trips, fifty-five siblings and an illusion. modes of cinematographic approach to the cuban emigration
description The proposal of the article is to analyze the modes of representation of emigration deployed by Cincuentaicinco hermanos (Jesús Díaz, 1978) and The Illusion (Susana Barriga, 2008), placing both films in their context of cinematographic and socio-political production in Cuba. Hence, we consider the inscription of the filmmakers in the narration as a present absence and as an absent presence and we analyze whether the narrative voice has institutional character, thinking about the type of communicative pact that is established in each case. We evaluate the mechanisms from which it is alluded, with regard to movement, fluency or interruption. Finally, we outline some hypotheses about the figure of the father in these films.
publisher Universidad Autónoma de Baja California
publishDate 2018
url http://culturales.uabc.mx/index.php/Culturales/article/view/551
_version_ 1715723645738811392

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