Popular theatre, Jewish theatre, Independent theatre

Popular theatre, Jewish theatre, Independent theatre

In this essay, we address the relationship between the IFT (Idisher Folks Teater, Jewish Popular Theater), that was the first and most important expression of Independent Theater in the Jewish theater field of Buenos Aires, and the Independent theater movement, that emerged in 1930 with the foundati...

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Autor principal: Ansaldo, Paula
Formato: info:eu-repo/semantics/article
Lenguaje:spa
Publicado: Universidad Autónoma de Baja California 2018
Acceso en línea:http://culturales.uabc.mx/index.php/Culturales/article/view/524
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spelling repositorioinstitucional-20.500.12930-72392023-05-09T14:08:17Z Popular theatre, Jewish theatre, Independent theatre Teatro popular, teatro judío, teatro independiente Ansaldo, Paula In this essay, we address the relationship between the IFT (Idisher Folks Teater, Jewish Popular Theater), that was the first and most important expression of Independent Theater in the Jewish theater field of Buenos Aires, and the Independent theater movement, that emerged in 1930 with the foundation of the Teatro del Pueblo. We believe that, although it is possible to consider that in these first years the institution was constituted like a sort of colectivity theatre –cause the activities were developed entirely in Yiddish and were oriented to a purely Jewish audience- we maintain that as the years pass and the Independent Theater movement grows in magnitude and strength, an increasing desire for integration appeared, and the IFT gradually began to be included as a constituent part of a larger phenomenon. En este trabajo se aborda la relación entre el IFT (Idisher Folks Teater - Teatro Popular Judío), la primera y más importante expresión del Teatro Independiente en el campo teatral judío de Buenos Aires, y el movimiento de Teatro Independiente, surgido en 1930 con la creación del Teatro del Pueblo. Se parte de la idea, de que si bien es posible considerar que en estos primeros años la institución se constituyó como una suerte de teatro de colectividad -en tanto las actividades se desarrollaban completamente en ídish y estaban orientadas a un público netamente judío-, a medida que pasan los años y el movimiento de Teatro Independiente crece en magnitud y fuerza aparece un, cada vez más grande, deseo de integración por parte del IFT que, progresivamente, comienza a incluirse como parte constitutiva de un fenómeno mayor, que a la vez lo incluye y lo trasciende. 2018-09-12 2021-06-03T03:54:10Z 2021-06-03T03:54:10Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares http://culturales.uabc.mx/index.php/Culturales/article/view/524 10.22234/recu.20180601.e345 https://hdl.handle.net/20.500.12930/7239 spa http://culturales.uabc.mx/index.php/Culturales/article/view/524/440 http://culturales.uabc.mx/index.php/Culturales/article/view/524/441 http://culturales.uabc.mx/index.php/Culturales/article/view/524/521 Derechos de autor 2018 Paula Ansaldo application/pdf text/html application/xml Universidad Autónoma de Baja California Culturales; Vol. 6 (2018): Rolling Pass; 1-27 Culturales; Vol. 6 (2018): Publicación Continua; 1-27 2448-539X 1870-1191
institution Repositorio Institucional
collection DSpace
language spa
description In this essay, we address the relationship between the IFT (Idisher Folks Teater, Jewish Popular Theater), that was the first and most important expression of Independent Theater in the Jewish theater field of Buenos Aires, and the Independent theater movement, that emerged in 1930 with the foundation of the Teatro del Pueblo. We believe that, although it is possible to consider that in these first years the institution was constituted like a sort of colectivity theatre –cause the activities were developed entirely in Yiddish and were oriented to a purely Jewish audience- we maintain that as the years pass and the Independent Theater movement grows in magnitude and strength, an increasing desire for integration appeared, and the IFT gradually began to be included as a constituent part of a larger phenomenon.
format info:eu-repo/semantics/article
author Ansaldo, Paula
spellingShingle Ansaldo, Paula
Popular theatre, Jewish theatre, Independent theatre
author_facet Ansaldo, Paula
author_sort Ansaldo, Paula
title Popular theatre, Jewish theatre, Independent theatre
title_short Popular theatre, Jewish theatre, Independent theatre
title_full Popular theatre, Jewish theatre, Independent theatre
title_fullStr Popular theatre, Jewish theatre, Independent theatre
title_full_unstemmed Popular theatre, Jewish theatre, Independent theatre
title_sort popular theatre, jewish theatre, independent theatre
publisher Universidad Autónoma de Baja California
publishDate 2018
url http://culturales.uabc.mx/index.php/Culturales/article/view/524
_version_ 1792609721039978496

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