Archives, families and spectra in contemporary latinamerican documentary
This article addresses a relevant phenomenon in Latin American audiovisual production in recent decades: the emergence of documentaries that proposed interventions on family archives to study the link between film and history. Santiago (Uma reflexão sobre o material bruto) by João Moreira Salles (20...
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Universidad Autónoma de Baja California
2020
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repositorioinstitucional-20.500.12930-72842023-05-09T14:07:58Z Archives, families and spectra in contemporary latinamerican documentary Archivos, familias y espectros en el documental latinoamericano contemporáneo Veliz, Mariano Sebastian Archive, Latinamerican Documentary, Moreira Salles, Olivera, Houses archivo, documental latinoamericano, Moreira Salles, Olivera, casas This article addresses a relevant phenomenon in Latin American audiovisual production in recent decades: the emergence of documentaries that proposed interventions on family archives to study the link between film and history. Santiago (Uma reflexão sobre o material bruto) by João Moreira Salles (2007) and La sombra by Javier Olivera (2015) configure family archives as counter-archives articulated between personal, family, national and film history. The objective of the article focuses on investigating the aesthetic and historiographical power of these interventions, carried out in the context of the archival turn themed by Hal Foster. The analysis of the films is based on the theoretical proposals of Marianne Hirsch, Roger Odin and Jacques Derrida, and is guided by a textual analysis methodology. The result of this study will allows us to perceive the power of the interventions on the archive as ways of rewriting the national and/or family histories. Este texto aborda un fenómeno relevante en la producción audiovisual latinoamericana de las últimas décadas: la emergencia de documentales que propusieron intervenciones sobre archivos familiares para estudiar la ligazón del cine y la historia. Santiago (Uma reflexão sobre o material bruto) de João Moreira Salles (2007) y La sombra de Javier Olivera (2015) posicionan a los archivos familiares como contra-archivos que se extienden entre las historias personales, familiares, nacionales y cinematográficas. El objetivo del artículo se centra en indagar la potencia estética e historiográfica de dichas intervenciones, realizadas en el contexto del giro al archivo tematizado por Hal Foster. El análisis de los films parte de las proposiciones teóricas de autores como Marianne Hirsch, Roger Odin y Jacques Derrida y se guía por una metodología de análisis textual. El resultado permite percibir la potencia de las intervenciones sobre el archivo audiovisual como formas de reescribir las historias nacionales y/o familiares. 2020-03-26 2021-06-03T03:54:20Z 2021-06-03T03:54:20Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares http://culturales.uabc.mx/index.php/Culturales/article/view/729 10.22234/recu.20200801.e453 https://hdl.handle.net/20.500.12930/7284 spa http://culturales.uabc.mx/index.php/Culturales/article/view/729/568 http://culturales.uabc.mx/index.php/Culturales/article/view/729/572 Derechos de autor 2020 Mariano Sebastian Veliz application/pdf text/html Universidad Autónoma de Baja California Culturales; Vol. 8 (2020): Continuous Publication; 1-29 Culturales; Vol. 8 (2020): Publicación Continua; 1-29 2448-539X 1870-1191 |
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Archive, Latinamerican Documentary, Moreira Salles, Olivera, Houses archivo, documental latinoamericano, Moreira Salles, Olivera, casas |
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Archive, Latinamerican Documentary, Moreira Salles, Olivera, Houses archivo, documental latinoamericano, Moreira Salles, Olivera, casas Veliz, Mariano Sebastian Archives, families and spectra in contemporary latinamerican documentary |
| description |
This article addresses a relevant phenomenon in Latin American audiovisual production in recent decades: the emergence of documentaries that proposed interventions on family archives to study the link between film and history. Santiago (Uma reflexão sobre o material bruto) by João Moreira Salles (2007) and La sombra by Javier Olivera (2015) configure family archives as counter-archives articulated between personal, family, national and film history. The objective of the article focuses on investigating the aesthetic and historiographical power of these interventions, carried out in the context of the archival turn themed by Hal Foster. The analysis of the films is based on the theoretical proposals of Marianne Hirsch, Roger Odin and Jacques Derrida, and is guided by a textual analysis methodology. The result of this study will allows us to perceive the power of the interventions on the archive as ways of rewriting the national and/or family histories.
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| format |
info:eu-repo/semantics/article |
| author |
Veliz, Mariano Sebastian |
| author_facet |
Veliz, Mariano Sebastian |
| author_sort |
Veliz, Mariano Sebastian |
| title |
Archives, families and spectra in contemporary latinamerican documentary |
| title_short |
Archives, families and spectra in contemporary latinamerican documentary |
| title_full |
Archives, families and spectra in contemporary latinamerican documentary |
| title_fullStr |
Archives, families and spectra in contemporary latinamerican documentary |
| title_full_unstemmed |
Archives, families and spectra in contemporary latinamerican documentary |
| title_sort |
archives, families and spectra in contemporary latinamerican documentary |
| publisher |
Universidad Autónoma de Baja California |
| publishDate |
2020 |
| url |
http://culturales.uabc.mx/index.php/Culturales/article/view/729 |
| _version_ |
1792608726099689472 |
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